The first half of 2023 has been a particularly robust time for horror, with films ranging from microbudget fare to Hollywood sequels making headlines. This list is sure to get shaken up by the year’s end, as there are a lot of provocative titles on the horizon, from studio sequels (“The Exorcist: Believer,” “Saw 10”) to campy fare (“Five Nights At Freddy’s,” “Thanksgiving”) and some rollicking festival hits (“Talk to Me,” “It Lives Inside”). Before revealing the top spots, here are some honorable mentions:
“M3GAN” — Although it was saddled with a PG-13 rating, America’s new favorite killer doll proved to be a box office sensation and a fun theatrical watch. Owing plenty to the 2019 reboot of “Child’s Play,” this tech-gone-wrong feature was filled with enough viral moments and GIF-able kills to keep the momentum going through a thin plot. Hopefully the sequel will capitalize more off of Allison Williams’ strong performance and create an even darker experience.
“Sick” — “Scream” creator Kevin Williamson co-wrote this low-profile COVID movie, a cozy mystery that felt right at home on streaming. Set primarily in one location, the claustrophobia of the central house made for a bloodthirsty experience able to gloss over budgetary restrictions. Although the ending got a little crazy, it’s nice to see a throwback slasher go for broke, with Williamson clearly having a ball again.
“The Wrath of Becky” — This amusing and violent genre picture stars Lulu Wilson as teenage assassin Becky, who targets Proud Boy-esque goons in the sequel to the 2020 neo nazi-killing first feature. Seann William Scott is a hoot as the leader of the all-male organization that is about to cause serious destruction if Becky doesn’t get to them first. They’ve stolen her dog and killed her only friend, setting the stage for some “Home Alone” meets “John Wick” mayhem. The final act ratchets up the tension and a funny coda begs for a sequel.
Knock at the Cabin
Image Credit: Everett Collection Audiences’ mileage may vary with M. Night Shyamalan depending on the film, but this intimate apocalyptic thriller benefits from great ideas and the director’s keen eye. Evil lurks around every corner as a small family (beautifully played by Jonathan Groff, Ben Aldridge and Kristen Cui) has their vacation in the woods interrupted by four desperate strangers, all claiming that the apocalypse will happen unless one of the family members kills another. Dave Bautista is a standout as a gentle giant teacher trying to convince the couple using his brain versus brawn. A cerebral event with a controversial ending, “Cabin” is Shyamalan’s most impactful work in years.
Stream ‘Knock at the Cabin’ on Peacock.
Influencer
Image Credit: ©AMC/courtesy Everett Collection An underseen gem, “Influencer” smartly skewers social media culture in ways that are surprising, with twists that are impossible to predict. Emily Tennant stars as Madison, an influencer who travels to Thailand for a paid vacation. To say anymore would ruin the nasty tricks, but the film is kept on the tracks via realistic views of technology and influencer economy. MVP goes to Cassandra Naud, a fellow traveler who has secrets of her own. Sexy and shocking, this sun kissed mystery is twisted enough to search out.
Stream ‘Influencer’ on Shudder.
The Blackening
Image Credit: Courtesy of Tribeca Film A sugary treat for horror fans, “The Blackening” is one of the best genre comedies since 2000’s “Scary Movie.” Filled with wacky characters and clever twists on well-trodden tropes, “The Blackening” succeeds in throwing dozens and dozens of gags at the screen. They might not all work, but the pace is enough to keep audiences laughing. One of the most joyous theatergoing experiences of the year, this film has already made a whopping $16 million on a $5 million budget, proving strong word of mouth is enough to fill seats. The action opens with Jay Pharoah and Yvonne Orji giving a sly nod to the “Scream” series and never lets up, even through a funny mid-credit scene. Hopefully writers Tracy Oliver and Dewayne Perkins are able to make a sequel to this rollicking satire.
Scream VI
Image Credit: Philippe Bossé One of the freshest chapters in the long-running slasher series is the most recent, a big surprise filled with lots of great setpieces, nods to previous installments, and wonderful actors. Picking up after 2022’s “Scream,” the main two sisters (Melissa Barrera and Jenna Ortega) have moved to New York City, only to be pursued by yet ANOTHER Ghostface. The cast rocks, with some welcome returns (Ortega, now in movie star mode; “Scream 4” alum Hayden Panettiere) and new players (“The Other Two” charmer Josh Segarra; a game Samara Weaving; Dermot Mulroney, acting to the cheap seats). It’s rare that the sixth installment of a slasher franchise can get pulses moving, but some great fight scenes and lore building make for an electric watch.
Stream ‘Scream VI’ on Paramount+.
Brooklyn 45
Image Credit: Courtesy of Shudder Ted Geoghegan’s historical séance thriller is filled with style and heart far beyond what’s expected from a real-time movie primarily set in one room. As a group of WWII vets gather right after the war so their friend can try to contact his recently deceased wife, they’re in for much more than they bargain for once spooky stuff starts happening. The cast of character actors exudes a lived-in feel for this group of soldiers, and key twists in the first and third act are truly jaw-dropping. Anne Ramsay and Kristina Klebe are particularly impactful as women trying to figure out how to escape their predicament, and New York horror legend Larry Fessenden delivers some delicious moments.
Stream ‘Brooklyn 45’ on Shudder.
Evil Dead Rise
Image Credit: Warner Bros. / Courtesy Everett Collection Lee Cronin’s gory tribute to the Sam Raimi series has plenty of Easter eggs for fans, but banks on the changed scenery of an apartment complex (vs. a cabin in the woods) to paint on a different canvas. A young aunt is stuck in a high-rise while as her sister becomes a Deadite hell-bent on killing her own children, and there is a massive amount of viscera as each gory scene keeps things unbalanced. Lily Sullivan and Alyssa Sutherland are top notch as the sisters, the former heroic and the latter evil as hell. A great wraparound tale, as well as a gnarly new monster added to “Dead” lore, leave things primed for a sixth movie.
Stream ‘Evil Dead Rise’ on Max.
Infinity Pool
Image Credit: Courtesy Everett Collection Between his disruptive role on the last season of “Succession” and his performance in “Infinity Pool,” Alexander Skarsgård spent 2023 brutally skewering the wealthy. Directed by “Possessor” helmer Brandon Cronenberg, James (Skarsgård) is a novelist who marries rich and starts to enjoy the violent, sexual bacchanalia engaged in by those staying on vacation destination Li Tolqa. But if the 1% have too much fun, they’re cloned and killed for a price, something which seems obscene to Foster at first but then gives him a thrill. The film is a blend of psychedelic images and distressing brutality, watching James as he sheds his humanity like a second skin. Mia Goth does excellent supporting work as a seemingly normal tourist who soon swings into batshit mode and walks away with the movie.
Stream ‘Infinity Pool’ on Hulu.
Beau is Afraid
Image Credit: Takashi Seida / © A24 / Courtesy Everett Collection Another divisive stunner, Ari Aster’s “Midsommar” follow-up analyzes anxiety with such a microscopic lens that it’s hard to breathe through long stretches. Joaquin Phoenix plays the titular Beau, whose nerves get the best of him morning, noon and night. Living in a rundown near-future neighborhood, this three-hour beast is thick on satire and social commentary. The plot revolves around Beau’s constantly thwarted travels to visit his mother, who conjures the bulk of his anxiety. “Afraid” was an expensive bomb for A24, but it will inevitably find a cult audience on streaming. Give it 30 years and it’ll be taught in film school. In the meantime, this suffocating tale is a waking nightmare.
Skinamarink
Image Credit: Courtesy of BayView Entertainment Easily the most divisive film of the year — and one that seems unlikely to get knocked from this top spot — Kyle Edward Ball’s debut feature walks the tightrope of narrative and art piece; anxiety and tedium; fantasy and reality. Shot at his childhood home for $15,000, Ball recreates the specific fears of growing up better than scores of auteurs could imagine. For those willing to suspend attention spans to dive into something completely new, “Skinamarink” will alter perceptions of how things go bump in the night.
Stream ‘Skinamarink’ on Shudder.