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Though it’s seemingly been in development forever, there seems to finally be some forward momentum with the planned Spawn movie reboot. Putting Todd McFarlane’s most hellish creation back on the big screen, the movie will release amid an increasingly saturated market of superhero and comic book movies and TV shows. Thankfully, members of the creative team behind the film have experience with all sides of the superhero movie spectrum.
The script for the new Spawn movie will be written by the screenwriters behind both The Falcon and the Winter Soldier and Joker. These two productions are worlds apart in terms of tone, scope and content, but both their differences and similarities make writers Malcolm Spellman, Matthew Mixom and Scott Silver the right people for the job.
Joker & The Falcon and the Winter Soldier Embody Comic Book Movie Diversity
The Falcon and the Winter Soldier was one of the first slew of Disney+ Marvel Cinematic Universe TV shows, narratively picking up from the events of Avengers: Endgame. As an entry in this sprawling shared cinematic universe, it’s an example of the form that many modern superhero movies and shows take, adding onto a larger narrative with its own singular story. Much like Captain America: The Winter Soldier, the show is a lot more serious and less comedic than many other MCU works. This gives it the closest thing to “grittiness” in the MCU, which the series takes advantage of by delving into real-world topics.
The movie Joker is very far removed from a typical Batman movie to the point where it’s not a superhero film at all. A completely gritty crime drama that recalls films from the ’70s and ’80s, Joker showcased how dark and down to Earth comic book films could be. Its tone and content became controversial due to this, but in a year that was otherwise dominated by the aforementioned Endgame, the diversity of comic book movies was dependent on such a film coming out. Now, it seems like these two worlds will collide via the Spawn film reboot, and given the character, it fits.
A Successful Spawn Reboot Requires Both Style and Darkness
Todd McFarlane’s Spawn, like many characters created during the founding of Image Comics, was meant to embody the ’90s attitude of being grim, gritty and anything but squeaky clean. Thus, a Spawn movie has to tap into that same level of darkness, with modern superhero films showing how to do so. The grittiness of the past several Batman movies, not to mention Joker, proves that a superhero film with relatively few jokes on its lips can still be a hit with audiences. Scott Silver’s experience in writing Joker can thus be seen as a sort of training ground for this tone.
At the same time, due to the nature of Spawn’s mythology and powers, he has a lot more “flare” to him than Batman or other completely grounded heroes. While the movie might not need to be a full-on, ra-ra-ree blockbuster in the vein of The Avengers, it should definitely make use of Spawn’s powers excitingly. The Falcon and the Winter Soldier is a good example of how to have a blockbuster sense of panache without being too silly or jokey, and it was written by Malcolm Spellman. By these writers getting together and combining their varying experiences with comic book movies, the result will hopefully be a Spawn film that does the character justice.
Given how ubiquitous and arguably “samey” many superhero movies have become, the right tonal balance and a sense of originality are paramount to Spawn‘s success. It could show that by combining their strengths, a non-DC or Marvel comic book movie could compete with the big boys on the big screen.
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