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We’re ranking the films and shows of Andrew Garfield! We start with his Certified Fresh films, including his strong supporting turn in The Social network, his Amazing stint as Spider-Man, and Best Actor Oscar-nominated films, the musical Tick, Tick…Boom! and World War II drama Hacksaw Ridge. And most recently, he’s drawn acclaim (and an Emmy nominee) for his first starring series, Under the Banner of Heaven. —Alex Vo
#1
Adjusted Score: 108725%
Critics Consensus: Impeccably scripted, beautifully directed, and filled with fine performances, The Social Network is a riveting, ambitious example of modern filmmaking at its finest.
#2
Adjusted Score: 115066%
Critics Consensus: A bigger, bolder Spider-Man sequel, No Way Home expands the franchise’s scope and stakes without losing sight of its humor and heart.
#3
Adjusted Score: 98309%
Critics Consensus: Fueled by powerful acting and a taut, patiently constructed narrative, 99 Homes is a modern economic parable whose righteous fury is matched by its intelligence and compassion.
#4
Adjusted Score: 89775%
Critics Consensus: Small in scale but large in impact, Boy A‘s career making performances (particularly that by star Andrew Garfield) and carefully crafted characters defy judgment and aggressively provoke debate.
#5
Adjusted Score: 98243%
Critics Consensus: tick, tick… BOOM! makes musical magic out of a story focused on the creative process — an impressive feat for debuting director Lin-Manuel Miranda.
Adjusted Score: -1%
Critics Consensus: While Under the Banner of Heaven gets bogged down by an overabundance of backstory, its procedural through-line is enriched by a thoughtful introspection on personal faith.
#7
Adjusted Score: 101187%
Critics Consensus: Hacksaw Ridge uses a real-life pacifist’s legacy to lay the groundwork for a gripping wartime tribute to faith, valor, and the courage of remaining true to one’s convictions.
#8
Adjusted Score: 104228%
Critics Consensus: Silence ends Martin Scorsese’s decades-long creative quest with a thoughtful, emotionally resonant look at spirituality and human nature that stands among the director’s finest works.
#9
Adjusted Score: 86500%
Critics Consensus: A well-chosen cast and sure-handed direction allow The Amazing Spider-Man to thrill, despite revisiting many of the same plot points from 2002’s Spider-Man.
#10
Adjusted Score: 58183%
Critics Consensus: No consensus yet.
#11
Adjusted Score: 77408%
Critics Consensus: With Never Let Me Go, Mark Romanek has delivered a graceful adaptation that captures the spirit of the Ishiguro novel — which will be precisely the problem for some viewers.
#12
Adjusted Score: 80044%
Critics Consensus: The Eyes of Tammy Faye might have focused more sharply on its subject’s story, but Jessica Chastain’s starring performance makes it hard to look away.
#13
Adjusted Score: 79502%
Critics Consensus: Strong performances from Breathe‘s well-matched leads help add an edge to a biopic that takes a decidedly heartwarming approach to its real-life story.
#14
Adjusted Score: 70833%
Critics Consensus: Terry Gilliam remains as indulgent as ever, but The Imaginarium of Doctor Parnassus represents a return to the intoxicatingly imaginative, darkly beautiful power of his earlier work, with fine performances to match all the visual spectacle.
#15
Adjusted Score: 67324%
Critics Consensus: Under the Silver Lake hits its stride slightly more often than it stumbles, but it’s hard not to admire – or be drawn in by – writer-director David Robert Mitchell’s ambition.
#16
Adjusted Score: 64098%
Critics Consensus: While the cast is outstanding and the special effects are top-notch, the latest installment of the Spidey saga suffers from an unfocused narrative and an overabundance of characters.
#17
Adjusted Score: 33729%
Critics Consensus: Mainstream makes a vain attempt to satirize viral fame, settling instead for obvious commentary that feels painfully dated.
#18
Adjusted Score: 35202%
Critics Consensus: Despite its powerhouse cast, Lions for Lambs feels like a disjointed series of lectures, rather than a sharp narrative, and ends up falling flat.
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