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What do you think is the role of the youth in affecting systemic change when it comes to representation in creative industries?
As a young South Asian woman, it was easy for me to underestimate myself and the impact of my work. Taking myself and my intentions seriously was the first step towards feeling like I “belonged” in any creative space. I do feel that systemic change starts from within, but it is also not a solo act—a lesson I learnt late was to reach out and communicate with other people in my shoes. There is power in not only procuring, but also sharing knowledge
What has been your most fulfilling work experience as a South Asian?
When I first started modelling, many young brown-skinned girls would reach out to me on Instagram to let me know that seeing my pictures was beneficial to their confidence. Being brown-skinned is still looked down upon in many South Asian countries, including India, and to take up space as a brown-skinned fashion model was something I did not foresee when I was younger. I’d always felt alienated from most Indian media; I’d barely see other women with the same skin tone as me. But now, there are so many other women who look like me in the Indian modelling industry. To be a part of an industry where I’ve seen actual change in brown skin representation has been so fulfilling.
What is the best professional advice you received that made you recalibrate your perspective towards your work?
Make meaningful work. An artist has so many worries about their work—like they aren’t doing enough or aren’t skilled enough—and what has helped me tackle these feelings is attempting to make meaningful work. It helps me question why I’m creating a certain piece and the story I intend to convey through it, which helps validate my feelings while working. The insecurities dwindle, as I focus on a cause beyond who I am.
A fellow South Asian artiste whose work you admire?
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