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The cast and crew behind The bad batch season 2 is currently making the press rounds and discusses how season 2 was conceived and recorded. You can check out a compilation of some of the highlights from interviews with head writer and executive producer, Jennifer Corbett, and supervising director and executive producer, Brad Rau, here. What follows is a similar compilation of interviews with Michelle Ang, who voices Omega, and Dee Bradley Baker, who voices all the clones on the show. Be sure to click on each link if you’re interested in reading or listening to each full conversation.
Michelle Ang explains Omega’s journey between seasons
Speaking of ComicBook.comMichelle Ang explained Omega’s evolution from Season 1 to Season 2, saying:
“There’s a time jump between the end of season 1 and where season 2 starts, and Omega gets rid of some of his childlike wonder. We’re moving a bit into adolescence. We’re moving into a space where Omega wants to be heard, wants to have a voice, and I think what’s interesting is that she’s very secure in her place in the Bad Batch. Season 1 meant that sometimes she wasn’t sure if she was allowed to be considered part of the team, but I think in season 2, right from the beginning, you get the impression, you see that Omega is very comfortable and the lot I absolutely appreciate her and she has her own merits and her own skills that she adds to the team.
Interestingly, she mentions the time difference between the two seasons, which from her words and from what we saw at the beginning of the show seems significant. However, Jennifer Corbett said The direct that there are two months between the two seasons (in another interview that Ang did daily movement, linked below, she revealed that it’s been six months for her). This is definitely even more surprising when you consider Ang’s response to ComicBook.com regarding Omega possibly playing as an adult:
“The real answer is that I would like to go on this Omega journey, but I also have to say that I don’t want her to grow up too fast. Season 1 to 2 was a big jump, it was a good jump, but the journey that she goes on as a teenager and as an emerging identity of who she is, but also who the clowns are, how the Bad Lot and her brothers fit into how the Empire and the worldview clones, I don’t want to rush this. I think that’s incredibly juicy and exciting. Perhaps this is a bit fatalistic of me; I think when everyone grows into adulthood, there’s an element of exhaustion, and I think Omega’s superpower, at least at this point, is the fact that she’s not, so she has really new ways of looking at a lot of adult themes and it was a joy. I think it’s a nice voice for Omega right now and for star Wars world, so I wouldn’t want her to lose it too quickly.
I’m talking to acceleratorshe expanded on this by explaining how her arc becomes more complex as she grows up:
“She has really strong ideas about what a family should feel like and what a family should look like and how it should be. And I think the reality of being in this particular world and this particular universe means that sometimes it can’t be that she as a young teenager wants it to be. So she has to deal with a more complicated … I guess she realizes that the way her idealism is being challenged, and she really has to figure out how to deal with that.”
In her interview with Daily MovementAng explained how being from New Zealand helped her channel Omega’s voice:
“When she feels something’s wrong, it’s just the way she communicates it, as a matter of fact, and also sometimes I think the New Zealand spirit is quite, like, oddly casual… I’ve always thought New Zealand has this extremely casual way of talking about big things… And it works well in a way with Omega’s age, so quite often my suggestions on the record [are] inspired by the casualness of the Kiwi and I think that gives Omega quite a specificity as a character.
Dee Bradley Baker on his reading process as The Bad Batch
Dee Bradley Baker broke down in his chat with ComicBook.com what are his favorite episodes of the season, mentioning one that was dubbed the “capsule racing episode” because it featured street car races reminiscent of the iconic scene from The Phantom Menace. He said:
“Right out of the gate, I just, I love the Tech sub-race episode. I thought that was really fun and it’s like I know this guy and I like him a lot more now because he can jump in there and do something that you wouldn’t think he would do, but how fun. It was just fun.
And on the other hand, I think the most meaningful and impactful for me was the outpost episode with Crosshair, to see him pushed to the brink of his extreme in a heartbreaking way. But it plays out as this very personal climb to a revelation, to a moment, to a break, and to bring his character, who is usually rigid and kind of grumpy, and doesn’t say much to that state of transformation or revelation, to me it’s like, wow i think i actually like it the most now. He is the most fascinating and interesting character of them all. And I love them all so much, but to tell this in Crosshair, I think the fans will really go crazy. It’s a really fascinating journey that he’s on.”
Speaking of acceleratorhe also explained the main themes that season 2 will explore, saying:
“The key point of the season for me is that the Empire is growing and there’s nowhere to run or hide. And that goes for Omega as well as Bad Batch as well as Crosshair. So, those are the larger realities of the Star Wars cannon snapping into place and going into action, and that’s an incredibly awesome Star Wars as far as I’m concerned. I just love it.”
In his interview with The film teamDee Bradley Baker explained his recording process by saying he reads the scene from top to bottom, changing character to character on the spot:
“We read the script straight through. It’s scene by scene, but I’ll read it straight through, jumping from character to character. If I have to, like if it’s an existing clone that I don’t remember, like Rex that I remember, but even if it’s like Cody or someone that I haven’t portrayed in a while, they’ll play me a reference like that to figure out what’s in that person, what makes him what he is. Because I want to keep them separate, but I also want to keep them consistent with what we’ve done before. After I lock it, we can just read the scene and then we go back and usually do three reads of the scene, with maybe some spot checks on individual lines, and then we move on to the next scene. “
In fact, when we talk to Daily movementhe explained his trick to do this:
“Well the trick I use is if Wrecker is going to scream I do it at the end of the session, that’s my trick! (Laughing.) Also, I can pretty much skim through the script and it’s usually not too damaging. If we have a lot of yelling and screaming and stuff, we might save a few of those lines for the end of the session so I still have enough gas in the tank vocally to make it all the way through the mission without too much limping around. But that’s basically it. I’m old enough and experienced enough to know how not to damage my voice, what not to do. Earlier in my career I don’t think I would have known that, but now [I know that] part of the art of doing something well is also avoiding things that work against you.
He also weighed in on the character progression Rex has to go between the character we last saw The Clone Wars and The bad batch season 1 and the character we meet later Star Wars: Rebels. He said the following:
“Well, Rex has been through it all, hasn’t he? And he’s a warrior, a good man, he’s stubborn and he sees the power and the value of his experience and what he knows and his capacity. So he’s an important, kind of North Star leading bellwether for how the clones perceive the larger political forces at play. Because the thing is, as a soldier, you’re part of the armed forces and you have respect and you have power and you have status, hopefully. But as it changes and you have new management at the top, it changes completely and he is in a unique position to see that. And his choice is to double down and go back and fight the good fight. So he’s seen a lot more of it and understood more of it than the Bad Batch, who are kind of unique and out there doing their own thing, but they’re gradually waking up to the reality that’s playing out that you can Not just play this game in a short-sighted or selfish way, or even just to get along or just to hide. Because you have nowhere to hide because it will find you.”
We know from the trailer that Rex is in season two, but we haven’t met him yet. New episodes of The bad batch out every Wednesday, and you can check out our spoiler-free thoughts on the top 14 (of 16) here. We also have a spoiler discussion for the already released first two episodes that you can check out here.
Stay tuned for more on The bad Lot Coming soon! In the meantime, here’s a new spot released on social media shortly after the first two episodes were released:
“Clone Force 99 has gone rogue.”
Stream the first two episodes of the new Star Wars season: #TheBadBatch only on @DisneyPlus. pic.twitter.com/1TKb8vkiwA
— Star Wars: The Bad Batch (@TheBadBatch) January 4, 2023
Miguel Fernandez is a Spanish student whose second passion in life is movies. His favorite movie of all time is Lord of the Rings, but is also a huge Star Wars fan. However, fantasy films are not his only cup of tea, as the films of Scorsese, Fincher, Kubrick or Hitchcock have been an obsession for him since he began to understand the language of cinema. He’s that guy who will watch a black and white movie just because it’s black and white.
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