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This season, between Paris, Milan and London, Naomi walked in shows for Versace, Alexander McQueen, Balmain and Lanvin. “I still like it, but it’s nerve-wracking! Because I’m 51 years old and I’m dating 18-year-old girls!” She’s generous. No one – but no one – runs a track like Naomi, then or now. Was it more fun then? “Of course! Because you’re with your girls,” she explains, referring to Linda Evangelista, Cindy Crawford and Christy Turlington. “It’s great to be with these young people my age, but I have to say that at one of the shows I was like : ‘Come on, girls! Put your feet up! Why are you walking so slowly?’ I definitely feel like my time was happier. We smiled. We got to show our personalities.”
Naomi, Linda, Cindy, Christy… the power of these four glamorous, ambitious, genetically gifted women transcended fashion. Their status – their celebrity – was so spectacular that their names became as big as, if not bigger than, the hit brands they were booked for. “It was an amazing time,” she recalls fondly, “but we worked hard. And no matter how many outfit changes, how many shows, we never said we were tired. We all loved it and kept each other’s energy going. We did eight shows a day and then went to celebrate with the designers in the evening. Sometimes I wonder if the current models could handle us.”
More than three decades later, she remains great friends with all of them. “Yes, we have a group chat,” she says. Cindy was the first to meet her daughter when she was just a few days old, Christy visited her when she was less than two weeks old, and Linda is yet to meet her, presumably busy after announcing her legal claim in the US last September that Zeltiq’s CoolSculpting procedure, which claims to reduce fat, left her “brutally disfigured”. “She’s a strong woman and I think she’s very brave,” says Naomi. “It takes a lot of courage to come out and speak your truth. I absolutely support her.”
They are currently working on The supermodels, an upcoming documentary series for Apple TV+. Directed by Oscar winner Barbara Copple, it will revisit their reign since the 1990s. “It’s about our lives and times together: our friendship, our careers, our womanhood, our motherhood.” Along with Ron Howard, they all executive produce the project. “As models, we don’t have any rights to our image, so it feels good to be a partner in our legacy – and in our own words.”
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