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A reflection of his skills is clearly embedded within his cyber-friendly and futuristic trench coats, chain mail iterations and trousers. Reflective trousers will have Savile Row waistbands, and blazers come with perfectly fitted arm holes. And as abstract and risqué the designs get, the more Bansal zeroes in on working with materials that don’t hinder his vision but support his explorations with fabrics that preserve utility.
The big question when it comes to the utility of his clothing is whether the Indian market is open to exploring and experimenting, at a time when paired back basics, and going simpler has been on the minds of all designers and buyers. “Honestly speaking, if I make something simple and wearable, it doesn’t work. At Bloni, only experimental pieces are something that’s eccentric really works,” confesses Bansal. The designer’s signature has become the sole reason buyers flock to Bloni, for its unusually comfortable and one-of-a-kind pieces.
His first collection that featured his now trademark tye-dye element, came while he was still in the process of establishing himself. There was a rawness to his monochrome pieces, inspired by his trip to Himachal, that came from a space of passion and creation rather than a calculated chess-board move towards establishing his footprint. “I came back not with the agenda of becoming a fashion designer. I just wanted to make clothes,” remembers Bansal of his trip that inspired his first collection at Bloni.
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