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After 1976 Interview with the vampire became a smash hit for the late author Anne Rice, she followed it up with many more titles in the series, as well as a New Orleans witch series. To date, only two of her dozens of supernatural novels have been adapted as feature films: interview with the vampire in 1994 and Queen of the Damned in 2002. Perhaps the problem was that film was never the right medium for them, and it took the dawn of the current golden age of the television genre to do her work true justice.
AMC is making a big bet that it is, launching the “Immortal Universe” last month with its series adaptation of Interview with the vampire. (It is The Witches of Mayfair series, also based on Rice’s work, will follow in January 2023.) According to AMC’s presentation of interview, from Perry Mason co-creator Rollin Jones, we meet the black Creole pimp Louis de Pointe du Lac (Jacob Anderson) in 1910 in New Orleans – as did an elegant French aristocrat named Lestat de Lioncourt (Sam Reid). Louis becomes the object of both intellectual and carnal fascination for Lestat, and before the end of the series premiere, Louis accepts Lestat’s “dark gift” and becomes a vampire, like Lestat himself. Over the course of the six episodes that follow, Lestat and Louis’ relationship faces many challenges—not all of them revolving around who’s killing whom and why, though that certainly comes up more often for them than it might for you. and your partner. Turning into a boisterous 14-year-old girl (Bailey BassClaudia) into a vampire and adopting her as a quasi-daughter also adds some stress.
The first season reaching its bloody climax (and with the show already renewed for a second season before the premiere even aired), Vanity Fair recently spoke with Sam Reed about Lestat’s understanding of his own powers, the animals he draws inspiration from, and how literally the series takes “you always hurt the ones you love.”
(Spoilers ahead for the end of Interview with the vampirefirst season of.)
Vanity Fair: Luis and Claudia have plotted to kill Lestat, but not completely: he is alive in his coffin under a pile of garbage at the dump. And we do leave Lestat in his worst nightmare at the end – not only alone, but “vegetarian”, at least for the foreseeable future. How does he feel at this moment?
Sam Reid: Yeah, that’s actually a good point, eating rats. I think there is a level of black irony that he feels. Eat this rat to survive: This is a very cruel trick of Louis.
How does he feel? I think he realizes why it had to happen. I think [the realization] probably happens right at the very end. And that’s something I’ve been asking throughout the process of the season: ‘When does it change? How does it change? How does his character develop?” Gradually, as the episodes came, I realized that Lestat didn’t change at all. He keeps going back to his same patterns and really only when he sees Claudia tripping over Antoinette [Maura Grace Athari] head that I think he’s thinking, “Oh, maybe I didn’t trust you enough.” Because I think he really loves Claudia. In the beginning, I think they were validating each other — especially when they have Lewis there, who is so attached to his humanity, which is a beautiful element of that character. But that’s a lot of clashing with a monster like Lestat. He had no choice. It’s who he is and he’s embraced it for everything he’s got and he’s a monster performer because he’s a performer. Lewis’s humanity clashes and sometimes makes him feel small.
But Lestat also worries that if Louis clings too much to his human side, he won’t be able to exist at all: you have to embrace who you are to survive. So I think the moment when Louis kills him – which I think was a wonderful change [from the book] on Rollins’ part – is that he accepts it has to happen. He could fight more, but he doesn’t. I think he probably feels like it’s his real death at this point, but I think he feels like he’s earned it.
Lestat is a tragic figure: although he is still somehow alive, we see him brought down by his own hubris. How did you, Bailey, and your directors discuss how to play the scenes with Lestat and Claudia in the run-up to the finale so that the climax was earned but also a surprise for the viewer?
There were a lot of micro-rewrites going on as the scripts came out, and I knew that was the plot twist pretty early on because I had to know when Lestat was going to find out. We did a few options and usually they put that I I did i know So you can go back and watch the series and see, “Oh, Lestat can hear what’s going on in their heads here.” But definitely by episode six, he can hear all the conversations they’re having. That was a fun thing. When they have these mental conversations, the lines are read for us on set. So we all react to them in a specific way.
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