Interview: Vignesh Raja (storyboarding Por Thozhil)

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  • Interview: Vignesh Raja (storyboarding Por Thozhil)
  • Sanjay Narayanan’s exquisite, moving ‘Maalai Nera Mallipoo’, on aha, takes us into a sex worker’s psyche
  • Karthik G Krish’s ‘Takkar’ is filled with good ideas, but none of them are fleshed out convincingly
  • Vignesh Raja’s ‘Por Thozhil’ (Sarathkumar, Ashok Selvan) is a solid, well-crafted serial-killer thriller with enough pluses to overcome its issues
  • Interview: Siddharth (Takkar)
  • Readers Write In #585: Book Review: Plassey- The Battle that Changed the Course of Indian History
  • Interview: Hansal Mehta / writer Mrunmayee Lagoo (Scoop, on Netflix)
  • Readers Write In #584: Diving straight and dissecting into the micro level of why mass unnatural disasters happen
  • Readers Write In #583: Objects in the rear view mirror: 2000s Kollywood
  • Notes on this, that, and everything in between – Episode 1: Does age matter?
  • A very happy 80th birthday, Ilaiyaraaja
  • Ajitpal Singh’s ‘Fire In the Mountains’, on SonyLIV, peels back the beauty of the mountains to gaze at stark realities
  • Akhil Sathyan’s ‘Pachuvum Athbutha Vilakkum’, on Prime Video, is proof that templates are never an issue if the storytelling is strong
  • Interview: Sohum Shah (Maharani on SonyLIV, Dahaad on Amazon Prime Video)
  • Readers Write In #582: The Story of Allen Dulles and his CIA
  • Readers Write In #581: Virupaksha: The Succubus lies in the details
  • From the Web (FTW) #9: Martin Scorsese on the Importance of Visual Literacy
  • BR Live Season 2
  • Thank you so much for this appreciation, Bits Of Info Tamil
  • From the Web (FTW) #8: Nenendu Vethugudura (a translation)
  • Readers Write In #580: The Imposter – The ramblings of a fundamentally uninteresting man
  • Readers Write In #579: Daredevil Musthafa (DDM) – An outsider’s view
  • Achyut Vinayak’s ‘Thrishanku’, with Anna Ben and Arjun Ashokan, has a super premise, but it’s content to remain a pleasant watch instead of the all-out riot it could have become
  • Shashank Soghal’s ‘Daredevil Musthafa’ is a laid-back charmer filled with newcomers, and it covers up its flaws with a massive dose of can-do spirit
  • Interview: Sarathkumar (Por Thozhil, etc.)
  • Interview: Anna Ben / ‘Andhadhun’ producer Sarita Patil (Thrishanku)
  • Readers Write In #578: Succession – A Saga of Kendall and Logan
  • Apoorv Singh Karki’s ‘Sirf Ek Bandaa Kaafi Hai’ is an earnest, well-acted courtroom drama that needed more tension
  • Yashowardhan Mishra’s ‘Kathal’, on Netflix, is  a gently amusing detective story-cum-social commentary that involves missing jackfruits 
  • Readers Write In #577: The National Legacy of NTR
  • From the Web (FTW) #7: The Magic of K Vishwanath’s songs
  • Shamal Sulaiman’s entertaining ‘Jackson Bazaar Youth’ makes you think it’s a drama about the underprivileged before pulling the rug from under your feet
  • Lights, Camera, Analysis: Ravi Varman (Ponniyin Selvan 1 & 2)
  • Vijay Antony’s ‘Pichaikkaran 2’ is a sentimental, speech-heavy take on how the rich should help the poor
  • ‘Modern Love Chennai’, overseen by creative producer Thiagarajan Kumararaja and team, makes a strong case for what Tamil creators can do in the OTT space
  • Interview: Thiagarajan Kumararaja (Modern Love Chennai, and this man’s mind)
  • Interview: Bharathiraja (Modern Love Chennai, and all other kinds of love)
  • Interview: Siva Ananth (Ponniyin Selvan 1 & 2)
  • Vinayak Chandrasekaran’s ‘Good Night’ is an easy watch with a few good laughs, but it struggles to hang on to a single tonality
  • Nelson Venkatesan’s ‘Farhana’ gives Aishwarya Rajesh a fine chance to shine in the midst of a middling thriller
  • Jude Anthany Joseph’s ‘2018: Everyone is a Hero’ is painted in very broad strokes but ends up a solid account of a tragic time
  • Interview: Vijay Antony (Pichaikkaran 2)
  • Readers Write In #576: Book Review: The Last Mughal by William Dalrymple
  • My interview with IIT Madras BS Film Society
  • My interview on Mindscape Matters
  • Interview: Sriram and Shridhar Raghavan
  • Anup Singh’s ‘The Song of Scorpions’ (Irrfan Khan, Golshifteh Farahani) is a minimalistic and magnificently twisted story of obsessive love
  • Bitty Ruminations 95 – Naturalism vs. Realism
  • Readers Write In #575:  PS-2 comes out with the soul intact
  • Readers Write In #574:  PS-2 and why it is riddled with the same problems that plagued later seasons of GoT

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