Interview: Manju Warrier (Ayisha, Thunivu)

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  • Interview: Manju Warrier (Ayisha, Thunivu)
  • Interview: ‘Trial by Fire’ cast (Rajshri Deshpande, Abhay Deol) and director Prashant Nair
  • Readers Write In #541: Vaalvi succeeds where Kuttey fails
  • Readers Write In #540: 20 Years of Okkadu: The making of Mahesh Babu
  • Book Excerpt: Escape for Love
  • Anupam Patnaik’s ‘Pratikshya’ (Odia) is an affecting family drama about father-son friction and a lot more
  • Exploring the Mindscape #1: With PC Sreeram
  • Interview: Ramya Subramanian
  • ‘Spotify: Cinema with BR’ Episode 2: On the Pongal films and their stars
  • Readers Write In #539: ‘Thunivu’ movie review: Screenwriting problems, star power solutions
  • H Vinoth’s ‘Thunivu’ has a good premise for a heist movie but the writing does not match up
  • Vamshi Paidipally’s ‘Varisu’ is old wine in an older bottle, relying solely on Vijay’s “mass moments”
  • Interview: Rashmika Mandanna (Varisu)
  • Interview: Vamshi Paidipally (Varisu)
  • Interview: H Vinoth (Thunivu)
  • Readers Write In #538: Dreams from the Cityscape
  • Interview: Yami Gautam
  • ‘Spotify: Cinema with BR’ Episode 1: On AR Rahman, on his birthday
  • Readers Write In #537: My journey with ‘Ponniyin Selvan’, from watcher to reader to writer
  • Interview: Rima Das
  • From the Web (FTW) #1: Rahul Gandhi and Kamal Haasan in conversation
  • About the movies – 1969 / 2022
  • Readers Write In #536: My favourite Hindi films of 2022
  • Happy 2023, everyone!
  • Mega Critics Roundtable 2022, by Nona Prince
  • Interview: Hrithik Roshan
  • Readers Write In #535: Love today…Wait, what love?
  • Readers Write In #534: Balls of Steel
  • The Galatta Plus Tamil Cinema Round Table 2022
  • Readers Write In #533: The Boy Who Cried Film
  • Rohit Shetty’s ‘Cirkus’ has a few scattered laughs and a lot of really dull patches
  • Interview: Sunny Leone (Oh My Ghost)
  • The emotional stakes are low, but as a scare-dispensing machine, Ashwin Saravanan’s ‘Connect’ does a pretty decent job
  • Readers Write In #532: Ending of ‘Better Call Saul’ Explained
  • Interview: Ashwin Saravanan (Connect)
  • In ‘Avatar 2: The Way of Water’, James Cameron continues to push movie technology while remaining content with the most generic writing
  • Readers Write In #531: A few thoughts on ‘Goodbye’
  • Interview: ‘Travels’ Ramji Natarajan (Location finder for RRR, Dilwale, Endhiran, etc.)
  • Mahesh Narayanan’s ‘Ariyippu’ (Malayalam) is a wonderful “thriller” that strips away all thrills to present a realistic portrait of a migrant couple
  • Readers Write In #530: Kantara: A Socio-Ethical Perspective
  • My Top 10 list of films for the Sight & Sound poll, 2022
  • Anvita Dutt’s exquisite ‘Qala’, on Netflix, puts us into the state of mind of a disturbed playback singer
  • Deepak’s well-researched ‘Witness’, on SonyLIV, is a story about manual scavenging that’s more earnest than emotional
  • The Galatta Plus Pan-India Round Table 2022
  • Readers Write In #529: Thoughts on GASLIGHT, RANGOON RADHA 
  • Readers Write In #528: Thoughts on Love Today (Film)
  • Alphonse Puthren’s ‘Gold’ (Malayalam) has a lot of big ideas but they don’t come together as a satisfying whole
  • Interview: Guru Somasundaram (Winner of ‘Best Actor’, India, at the Asian Academy Creative Awards)
  • Vivek’s underwhelming ‘The Teacher’ (Malayalam) might have worked better as a pulpy B-movie than a “serious film with good intentions”
  • Readers Write In #527: Gold – An overlong and indulgent comedy that only shines in parts!

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