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Save the baby is eleven tracks delving into the world of relationships, trauma and the importance of friendship, soundtracked by a distinctly ’90s, indie-rock, grunge accompaniment. “I think it’s a pop record,” Johnson smiles, “because all the songs are pop for the most part.”
One of the album’s most impressive elements is its contrasting depth. There are moments where the chorus breaks into dynamic guitar lines, cutting through everything in its path, until the next song, and sometimes even the same song, the band takes it all back to simple acoustic accompaniment. He’s incredibly sensitive to knowing when to go all out and when to tone things down, and one wrong move can derail an entire career. Nowhere is this knack for knowing when to back off more evident than the album’s midpoint ‘Somewhere’.
“That was the last song I wrote for the record,” Johnson recalls. “I thought the album was done, but then I wrote this and thought we had to find a way to fit it in. That song kind of encapsulates the whole album for me.”
The song originally came from where Johnson’s mind had been for the past two years and was trying to process all the things that had happened in his young life and the relationships that had come and gone. “It’s about trying to manage all of that and hold myself accountable while still being able to deal with my past traumas that have happened in my life and find a way to move forward,” he notes. “To let go and – like a butterfly bursting from my own cocoon – fly into the world.
“It’s the only song we’ve never rehearsed with a full band… I kind of already knew what it was supposed to sound like.
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