Interview: Selvamani Selvaraj (the director of ‘The Hunt for Veerappan’, on Netflix)

Recent Posts

• My interview with Kumudham
• Interview: Selvamani Selvaraj (the director of ‘The Hunt for Veerappan’, on Netflix)
• ‘Jailer’ – temporary post for comments
• ‘Bhola Shankar’ – temporary post for comments’
• Readers Write In #615: An Amrish Size Void
• My interview with Samayam Seithigal
• Kairam Vaashi, welcome to Galatta Plus!
• Interview: Ramya Krishnan (‘Jailer’, Rajinikanth, etc.)
• Readers Write In #614: The Barbie movie – plastic, and fantastic with some toxic (masculinity)
• Interview: Talking Cinema with Vikramaditya Motwane
• Readers Write In #613: Assorted Thoughts / #AskBR on Maamannan
• The Galatta Plus Tamil Cinema Debut Directors Round Table 2023
• Sridevi, The South Years – by Amborish Roychoudhury
• Readers Write In #612: The Sentence
• Readers Write In #611: ஓடினேன்
• Readers Write In #610: गुलज़ार के गीत में अमृता के अक्स
• Readers Write In #609: A Flight’s Unexpected Gem: Exploring ‘Kadaisi Vivasayi’ at 30,000 Feet
• Lenin Balakrishnan’s ‘Article 21’ is well-meaning, earnest, but also too simplistic about delivering its message about the right to education
• Sindhu Sreenivasa Murthy’s superbly directed ‘Aachar & Co.’ is a feel-good film about a large family’s ups and downs in the 1960s/70s
• Karan Johar brings the desi family drama into the woke era with the funny and moving ‘Rocky Aur Rani Kii Prem Kahani’, with Ranveer Singh and Alia Bhatt in top form
• Readers Write In #608: Oppenheimer – Dancing in raindrops
• Readers Write In #607: The new normal in Tamil cinema that’s abnormal
• Readers Write In #606: Visible Aloofness Vs Invisible Discord and Oneness in Kalyug and Tamasha
• Lights, Camera, Analysis: M Sasikumar (on ‘Subramaniapuram’, which turned 15 this year)
• My YouTube Episode 5: Me? An Actor? WTF!
• The Amateur’s Art #50 – ‘Nihon-go no sukitto’, by Severus Snape (Japanese, with English subtitles)
• The Amateur’s Art #49 – ‘Waiting’, by Tridib Bhattacharya (English)
• Nirmal Joshi’s ‘Goodnight Giggles’ is a superb short film based on a sexually active couple
• Balaji Kumar’s ‘Kolai’ is great to look at, but the murder mystery beneath is barely exciting
• Suresh Sangaiah’s ‘Sathiya Sothanai’ has a few mild laughs, but the satire never stings
• Christopher Nolan tries a form (i.e., his form) of minimalism in ‘Oppenheimer’, and the results are mixed
• In ‘Bawaal’, Varun Dhawan and Janhvi Kapoor anchor a surprising and ambitious story where a marital cold war is equated with actual war: as in, World War II
• Interview: Balaji K Kumar (on the three-act structure, film technique, and Vijay Antony’s reaction to ‘Kolai’)
• Readers Write In #605: Video games as a narrative device
• Readers Write In #604: Mission Impossible Dead Reckoning: Tom thandavam vs AI
• My YouTube Episode 4: Feeling proud is not a sin!
• Interview: Abbas (on suicidal thoughts, the ‘Pooveli’ walk of shame, and ‘Musthafa…’)
• From the Web (FTW) #12: Carlos Alcaraz
• Readers Write In #603: Kohrra : Love Is Both Bitch and Balm in This Murder Investigation Which Is So Much More Than Just an Investigation
• Tanglish Talks: I’m not angry…
• Madonne Ashwin’s ‘Maaveeran’ starts off promisingly, with a great premise and an in-form Sivakarthikeyan, and slowly becomes tiresomely generic
• Interview: Saritha (‘Maaveeran’, plus a nostalgic flashback on her Tamil films)
• Interview: Nitesh Tiwary, Varun Dhawan, Janhvi Kapoor (‘Bawaal’)
• Readers Write In #602: பட்டாம்பூச்சி 
• Interview: Nelson Venkatesan (on ‘Farhana’, and why a ‘Lust Stories’ in Tamil won’t happen soon)
• Readers Write In #601: The Song of Scorpions: A Marriage of Myths, Mirages and Matter-Of-Facts
• Readers Write In #600: Moral Responsibility in Choices
• 10 Questions: Sivakarthikeyan
• Piyush Gupta’s ‘Tarla’, on ZEE5, is a broad, cleanly written drama that offers modest pleasures and an interesting look at a place and time
• Readers Write In #599: ‘Sairat’ And ‘Satya Prem Ki Katha’: A Study Of Non-mainstream Subjects In Mainstream Framework