‘Bros’ director Nick Stoller for delivering unique and personal stuff from the heart – Awardsdaily

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Nick Stoller has been responsible for many bold romantic comedies over the past twenty years. Not only did he make us uncomfortable and goosebumps for Forgetting Sarah Marshall (that breakup scene…), but movies like The five-year engagement to delve into the complexities of modern dating and marriage. With the remarkable film, brothers, Stoller gives us perhaps his funniest film yet. Even though Stoller is a straight man, he knew he had to be part of the story of two gay men trying to see through their own bullshit.

Romantic comedies have been gaining steam in the past few years. I started my phone conversation with Stoller gushing about how much I love delayed marriage Engagement, but the director is also just a fan of the genre. He mentioned that he loves classics like When Harry met Sally… before giving a rather poignant reason why he likes this type of film.

“I’ve always been such a fan. It really is a human genre and they are fun to watch. There’s a reason people keep watching these movies over and over again. They endure because, in the end, we all want to fall in love. I’m fascinated by romantic comedies.”

Billy Eichner co-wrote the film with Stoller and has been the face of Bros since it began development. Not only was Stoller excited to work with Eichner, but he knew he wanted to build something special for him to showcase his talent. Eichner gives a fearlessly funny performance, and he and Stoller are a dream team.

“Billy is not just a comedian. I learn so much working with him. People should really pick his brain because he is so smart. I couldn’t have made this movie by myself – no way. When I was working with Billy Friends from college, we screened the first episode in a movie theater. Every time Billy opened his mouth, the audience burst into laughter. He didn’t even have to do much. I knew I had to build a comedy vehicle around him, even though I didn’t know much about him. A lot of my comedies have big, personal themes, but they’re nestled into a funny movie. Take him to the Greek, for example, was about addiction, while Forgetting Sarah Marshall is very personal for Jason Segal. This is Billy’s story. There are four billion love stories and you need the right person to tell each one.

Since Stoller respects the decision to include an all-queer and transgender cast (a first ever, thank you very much), the director was open to learning from his cast. He admitted that when he read part of the script, he didn’t understand some things.

“Aaron’s character may have been a cipher. Looking at him on the page – with the conversations he has with Billy in the museum – you get a sense of his loneliness and how he doesn’t know how to take control of his life. When Luke [MacFarlane] Entering, however, Aaron came to life. He gives the role something so special that the audience can latch on to. Not many actors can do that.

One of the film’s best moments is when Emmy-winning actress Debra Messing appears on screen as herself in Bros. I mean, it’s no exaggeration to say that her cameos sent audiences wild at the world premiere at the Toronto International Film Festival.

“Sitcom actors have a special gift that they don’t really get credit for. They really don’t. The best comedic actors working in television make it look effortless and we were so excited to have Debra on board. She was game for anything and she wanted to deliver. We also didn’t realize that Debra had never dropped an f-bomb in a movie. We were stellar.”

brothers hits theaters September 30.

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